I ripped off the cellophane and leaned right into the six-paneled liner notes tucked inside the plastic jewel case. Don't ask me…" He pauses a beat, then: "‘Round and ‘round she goes/where she stops…damn if I know…or care…Kiss me once, kiss me twice; it's been a long long time…you'd be so nice to come home to, but I would prefer you with shoes on, and atoning…yes, lawd, nobody knows the trouble I seen…", More of this kind of patter follows, then suddenly he yells—loudly—"Heyyy mama… I got a drama!…show me the way to go home…" A few seconds later, after tepid applause, he adds, "Dedicated to the Chamber of Commerce…" The song ends with Simpson promising "more jazz and more poetry," along with an opportunity for the patrons to have their portraits painted in the back of the bar "If you wanna have this evening immortalized by Sir James.". (At some point in his third chorus, you hear someone in the audience vocal-scatting a bebop solo right along with Grant's inspiring solo!) I purchased the entire digital album (eight tracks) for about $8.99 and started listening immediately. $4.01 shipping. Looey." Racing Green: Guitar Solos 1959-62 by Grant Green. The Complete Quartets With Sonny Clark is a 1997 compilation album by jazz guitarist Grant Green, collecting together all the tracks from a series of albums he recorded with pianist Sonny Clark in 1961 and '62.. Unfortunately, Fisher makes another mistake when he says that although he's not quite sure who the bass player (?) But I'm going to give you a refund. by Grant Green. The problem with this piece is that the shuffle of the snare drum is mixed a bit too loud, and so is the wood-chopping rhythm of Grant Green's trebly Strat-tone used for his rhythm guitar. With the exception of "Ruby" (played in the key of C Major), every song on the album is basically in F (although "We Don't Know" is pitched in F#, which might be a pitch speed issue from the tape transfer – most likely it was also in the key of F). CDs Vinyl. blue note 50th anniversary collection volume 5 1970-1989 - lighting the fuse Blue Note - UK - CDP 792477 2 - 1989 Sell. Bassist and producer Willie Dixon served as session leader and bassist on the album recorded on June 1, 1960. Now I'm really intrigued—was Grant Green actually playing the same guitar that Buddy Holly, Dick Dale, and Jimi Hendrix made famous? The CD liner notes includes the original notes on the 1960 LP release, written by E. Rodney Jones, who mentions the fact that Lazar is from St. Louis, and had been motivated to learn jazz organ after having what equates to a religious experience when hearing Jimmy Smith play at the Peacock Alley, a local club in town. Grant plays the last two notes exactly in the same rhythm and register that Graf left off, which is really cool to hear—lets you know he's listening to everything Bobby was putting down. His tone is a little soft and dark at first, then he speaks up with more clarity, and you hear that unique timbre we all have come to recognize (even though he's supposedly playing a Strat?? Both tenor sax and guitar play the head in unison, the tempo paced slower than the usually brisk bop speed this tune is known for. Grant and Lazar sound like they are not at all on the same page either. We will dig deeper into the details of his first sessions with Donaldson and others at Rudy Van Gelder's legendary recording studio where Grant's first sides were captured. 75 minutes of Grant Green burning it up at his favorite club in his favorite city, the Club Mozambique in Detroit. Read Full Biography. The second 45 of "Space Flight" was released when the label owner moved from St. Louis that same year, and took his label and name with him. "Grant Green had a distinct, sculptural style to his guitar playing. Lazar has a great sound and touch, but my guess is that his career didn't take off because the Blue Note label already had a superstar in organist Jimmy Smith. He takes 22 choruses of solos! 1, The Complete Blue Note Horace Parlan Sessions, The Complete Blue Note Recordings Of Grant Green With Sonny Clark, The Incredible Jimmy Smith - I'm Movin' On, Herbie Hancock - The Complete Blue Note Sixties Sessions, Gloria Coleman Quartet Featuring Pola Roberts - Soul Sisters, Harold Vick - Our Miss Brooks / Vicksville, Mary Lou Williams - Black Christ Of The Andes, Johnny Hodges, Wild Bill Davis - Joe's Blues, Grassella Oliphant - The Grass Is Greener, Johnny Hodges, Wild Bill Davis - Wings & Things, Grant Green - Funk In France: From Paris To Antibes (1969-1970), V.A. "Space Flight" is an up-tempo shuffle similar to the first track, "Dig A Little Deeper," and played in the same key of F, except it's faster, edgier, and has a different melody used as the main theme. You don't hear Grant at all until his turn comes after five sax choruses. The tempo's going faster and faster, and it's blatantly obvious by now: The drummer is being pulled—dragged—by the walking—no, running—foot pedals of the organ. The song fades with Grant playing the melody again after Lazar's solos are done. The first is an extremely rare album that actually captures his performance at the Holy Barbarian with the Sam Lazar band. Grant Green - Samples, Covers and Remixes on WhoSampled. After about six choruses, they get back to the melody and the tune ends quickly. Jan 17, 2018 - Shop the 0 US Vinyl release of Green Is Beautiful by Grant Green at Discogs. They play through the tune once, and Grant takes a very earthy lead solo on the second half of the tune. But first, there's this treat: Here we have a photo, credited to the biographer Sharony Andrews Green, who was, at the time, married to Grant's son, Grant Green, Jr. (not to be confused with one of Grant's other sons, Gregory Green, who actually goes by the professional name of—wait for it—Grant Green, Jr.!) Were it not for that foot pedal flub, this would have been a fantastic take—by far a more swinging rendition than the live Barbarian version. He once again employs the "repetitive lick" thing, which by now has become one of his hallmarks. For now, though, let's talk about how happy I was to receive this disc; it couldn't have come at a better time. This tune uses the foot pedal work of Lazar instead of the acoustic bass line of Willie Dixon. To be fair, it's an easy mistake for Fisher to make, since all three of these happened in rapid succession (all within months of each other) with all three labels using a blue background with gray lettering. He ranked wi.. Grant Green. I also noticed that they recorded without having saxophonist Bob Graf on the album, whose very involvement at the Holy Barbarian was primarily at the insistence of owner Ollie Matheus (who was hell-bent on integrating the band for his own personal reasons.). Unfortunately, Lazar is switching back and forth waay too much this time to create any kind of consistency for the listener, and you get pretty seasick listening to him this time around. He is also correct in describing the version of "Space Flight" listed as track 8 on this disc is different than the one on the 1960 Cawthron 45. The police, on the other hand, didn't like what the place represented, and shut Ollie and Virgil down after only eight weeks of business. There's nothing unique or clever about it. Books Magazines. ... (Inggris) Diskografi Grant Green di Discogs (Inggris) Grant Green di MusicBrainz (Inggris) Grant Green di Find a Grave; Grant Green discography project; Undaunted, I pressed on, and about four days later (y'all know me: I refuse to accept the notion that there are absolutely no copies available anywhere), I found a website in Barcelona, Spain called Jazz Messengers that had a copy in stock. According to the liner notes, we know for certain that it's Chauncey on the Argo recording in Chicago when they re-recorded the tune. He gets to stretch out as long as he likes, not worried about any time limit—unlike the relatively constrained conditions when they're in a recording studio where, literally speaking, time is money. Details are listed on Discogs as follows: For a while, I was under the assumption that this somehow was the first released single from the LP, which is a typical move for a record label to promote the album. Lazar starts simple enough with blues licks for the first three rounds, then in his fourth through tenth chorus he does the "matchbook trick," and solos with screaming intense lead riffs over the top, while Williams drives, slapping down hard on beats two and four. I was even more confounded, though, when I uncovered the fact that the music heard on this 45 is not identical with the track by the same name on Sam Lazar's LP, Space Flight (Argo LP 4002), placed as the first track on Side 2 of the album. This was followed by the official, hard-to-find "black label" release of Argo's official version of "Space Flight.". Track 3 is credited to Grant Green or Sam Lazar. For jazz, I use D’Addario Chrome; for blues I use Ernie Ball Slinky (regular). Genre: Jazz. I go the usual routine of hitting Discogs, and what I discover is a bit shocking: 1) There is no vinyl version of the Holy Barbarian album in existence, to my knowledge; 2) There is a CD version, released in 2012, but there are very few in the world; 3) The one that I found was someone trying to sell it on Amazon, charging $500 (yikes! They're great licks, it's just not swingin' in his execution—it's still too square. The club was located on the East side of town, at 572 De Baliviere. Once Green is done, you hear him comping sweetly underneath the gurgling Errol Garner-like setting on the organ. All Rights Reserved, My Ultimate Mono Experience: the Hana SL Cartridge and the ModWright PH 9.0 Phono Stage - Part 2, My Ultimate Mono Experience: the Hana SL Cartridge and the ModWright PH 9.0 Phono Stage - Part 1, Rega Rebounds in Musical Surroundings: The Nova III Phono Stage, Four New Yarlung Records Releases: Summary Notes, Tenebrae Choir: "Miserere mei, Deus" (Allegri), Technology - AAD, ADD, DDD: the SPARS Code in the 21st century. The writer and radio personality Bob Porter, in his Soul Jazz: Jazz in the Black Community , 1945-1975 , notes that the St. Louis native played on 15 sessions for Blue Note Records in 1961, 18 more in 1962 and another 18 in … possibly Chauncey Williams or Phillip Wilson (drums), Vintage 1959 reissue Stratocaster (classic black w/white pickguard). First time on CD for this rare live performance from 1971. "We Don't Know" is another pretty simple, repetitive melody. 23.99 After a prolific 5-year run from 1961-1965 when he made more than 20 great hard bop and soul jazz albums for Blue Note, guitarist Grant Green took a four-year hiatus from recording. (Probably Grant Green's first recording) In like fashion, "Mad Lad" was named for E. Rodney Jones—the liner note writer, popular St. Louis radio personality, part-time emcee and self-appointed co-writer of some of the tunes listed on the album. Grant is playing a pretty cool riff underneath the sax who is doing a Lester Young-flavored solo (only less effectively, because Graf plays straight-up-and-down on the beat). You can tell Sousan gradually moved closer to Grant's side of the stage—Grant's guitar volume on the recording becomes louder and clearer, raised to the appropriate level. What's worse is that the drummer Chauncey Williams seemed to be clueless about when and where to land the plane (end the tune), drumming right through the ritard, without slowing down whatsoever until it was basically too late to make a clean ending. Matrix / Runout: 259-CD-0011 12-190-05-2 the ADS group, Written-By – Jones* (tracks: A1 to A3, A5 to B4), Lazar* (tracks: A1 to A3, A5 to B4). That's the bad news. This is where things get really interesting, for the CD confirms certain issues regarding my suspicions about the who-what-how-when-where-why in this Lazar saga. $22.99 + $5.00 shipping. GRANT GREEN Vinyl Records and CDs Among the top jazz guitarists of all time, Grant Green's influence has been strongly felt in many genres, from hip-hop to Acid Jazz. He reprinted the disc with new label details on the 45, including his employment of Bingo Records as the distributor. Finally, Fisher shows the official statement in the press by Jack Tracy—the Chess talent scout who claims the credit for "discovering the trio in St. Upon listening to both sides of the 45, and then each track of the LP, not only is "Space Flight" not the same version, I realized that "Space Flight Part II" (the B-side of the Cawthron's original 45) became the song now labeled as "Big Willie" on the Argo album—renamed for Chess bassist/producer Willie Dixon. I wrote him back saying how nice I thought his gesture was, and promised to look for a chance to buy his products again. Even as a leader, he would frequently take the backseat to a juicy organ or horn part, but when he let loose, he could go on incredible, glittering runs of speed and dexterity like no other jazz guitarist before or since. By the way, this photo pretty much confirms my ears' instincts that Grant Green wasn't playing a Fender Stratocaster on this live album—instead it was more likely a semi-hollowbody Gibson 330 model jazz guitar which would be featured prominently on several album covers to come in his long-standing tenure at Blue Note Records. He was often subtle and restrained. Grant had returned to St. Louis and, like many other black musicians, was working in strip joints that paid low wages and were run by bar owners who didn't much value the musicians or their worth— they treated them as easily disposable commodities that could be swapped literally for a song. Grant's solo comes up and he sounds as relaxed as ever, pacing himself in both register and rhythm to slowly build the intensity over time. He then plays one-note staccato phrases to great effect; people are cheering out loud when they hear him play the nine-note blues pentatonic riff repeatedly. In 1969, Green reemerged on the classic Blue Note recording "Carryin’ On". "Deep" is a medium up-tempo blues. "Ruby" is a song that sounds a bit like the only person who understood what the chord changes were supposed to be might have been Sam Lazar, because Willie Dixon had no clue about what direction the band was supposed to go. Format: Vinyl, LP, Album, Mono. 18539 fans Top tracks. Jones goes on to mention the fact that he thought Grant Green was going to be an artist definitely worth talking about in the near future (he was, of course, right about that), but he goes quite a bit too far when he says he thinks Lazar is the greatest organist on the scene—that's just ludicrous. Artist information Sort name: Green, Grant Type: Person Gender: Male Born: 1935-06-06 Born in: St. Louis, Missouri, United States Died: 1979-01-31 (aged 43) Died in: … Grant Green New Songs - Download Grant Green mp3 songs list and latest albums, Songs Download, all best songs of Grant Green to your Hungama account. 1971 Fender Stratocaster (cream w/ white pickguard, maple neck), Twenty custom-built Stratocasters (various necks, bodies, pickup configurations, hardware, pickguards), For blues, rock, reggae, etc., I use Fender amps (Blues Jr., vintage Princeton Reverb Blackface, Super Champ XD, Superchamp X2), For Jazz, I use Polytone MegaBrute, and Peavey Ecoustic E208 amps, BOSS effects pedals (NS-2 noise suppressor; CS-3 compressor/sustain; PH-3 phase shifter; BD-2 blues driver; BF-3 flanger; OC-3 super octave; TS-808 tube screamer) and BCB 60 pedalboard, 1994 Technics SL 1200 MK2 direct drive turntable, 2016 Audio-Technica AT-LP120 direct drive turntable, Onkyo C-7030 disc player; TX-8020 receiver, A pair of vintage Realistic Optimus 900 floor model speaker cabinets, Audio-Technica ATH-M50x Hi-Resolution stereo headphones, Onkyo DP-X1 DAP high-resolution (up to Quad DSD) portable player. Polite-yet-enthusiastic applause follows. Audio CD 2, Stanley Turrentine - Up At "Minton's", Vol. A man named Armin Büttner posted incredible details on the evolution of the "Space Flight" 45, and his link is posted HERE. Sadly, the studio guitarist on the Playback LP, Joe Diorio (who is, by the way, a great bebop specialist and highly regarded jazz educator), got turned around when Lazar dropped two beats in the chord progression due to his faulty pedal work; Diorio never caught back up and was out of sync for remainder of the lengthy organ solo until the main melody came back around several minutes later. It plays fine, I'm going to send it to you. Just as the other two, the tune shifts to a normal 12-bar blues using all dominant seventh chords for the solos. "Dig a Little Deeper" is a basic 12-bar blues in the key of F with a simple, repetitive lick for a melody. Recording prolifically and almost exclusively for Blue Note Records (as both leader and sideman) Green performed well in hard bop, soul jazz, bebop and Latin-tinged settings throughout his career. Notes of an Amateur: Dover Quartet Plays Mozart; Colin Matthews’ Concertos; Quirine Viersen Plays Britten’s Cello Suites; Kurtag’s Music for String Quartet; and Bon Iver. The drummer leads the band as they shift back to the tribal chant groove, and this now explains that edit on the live album, because it sounds exactly like what they did in the Holy Barbarian. Format: CD, Year: 1995, Label: Blue Note (CDP 7243 8 33580 2 1), Barcode: 724383358021, Length: 47:23 But here's the really good news: There exists not one but two recordings that chronicle the sound of Grant Green during this embryonic stage of his development. Still, it's incredibly impressive that he achieved the performance level that he did considering the limited time he had for developing his skills on the beastly Hammond B3—which was only two and a half years at that point. Check out the new songs of Grant Green and albums. He circles around for one full chorus—but based on the changes from Lazar (who made a wrong turn during the chord progression), it actually sounds as if Grant both entered and exited at the wrong spot. But then he says that Dunlap Cawthron was newly arrived in St. Louis from Los Angeles, and this is incorrect. He masterfully manipulates quarter notes, eighths, and triplets to create interest and variety…now he's shifting into the repetitive dimension to create a new level of tension. More to explore : Blue Note Reissue Vinyl Records, On the CD, the song starts as a fade-in, which indicates that the engineer may have again made an editing choice to cut down on the record length of the tune compared to the actual performance. But it's nice to finally be able to put the tune into its proper context. The finale, "Blue Train," is performed much faster than John Coltrane's version. Everyone there seemed to love and appreciate the bohemian atmosphere, since it was they themselves who were there specifically to "make the scene.". He returned in April 2010 with a critically acclaimed debut solo album recorded with Midlake. Fisher reveals that a Chess talent scout heard the Lazar/Grant tandem playing on the St. Louis release of the "Space Flight" 45, which makes sense. Grant takes three quick choruses using a trebly tone for his solo (typical for single-coil pickups used in Stratocasters!) I hopped on the eBay, Amazon, and Discogs websites to see what I could find. A bit of a side note: The Ray Charles rendition of "Ruby" is—much to my surprise—not at all easy to find, at least initially. Songs played include Even The Devil Gets Right Someday and Rayanne (AKA AnotherATL Jam Session). This next chapter starts with Grant making major moves after his successful adventure with Jimmy Forrest. The sound quality is really good, considering the fact that it's a live recording in a fairly chatty atmosphere. While it was admirable for Lazar to have come so far after only two and a half years of playing the instrument, when one listens to the album closely, Sam's shortcomings aren't that had to spot (hence, the nature of my earlier criticisms in this article). Grant Green takes three choruses up front with tasty Charlie Christian-inspired jazz licks intertwined with blues lines. There's a really nice tenor solo by Graf, supported by excellent comping by Lazar who uses the draw bars to elicit a wide range of tones. This interracial situation caused a lot of problems for Ollie and Virgil Matheus as club owners, but they didn't care. 4.7 out of 5 stars 89. Photography By Cover - Courtesy Virgil Matheus, Transferred By Digtal Transfers, Mastered By - Allan Tucker, All selections recorded at the Holy Barbarian Coffee House, St. Louis, MO, December 25, 1959 (Except track 4 recorded at the same venue February 20, 1960.). Grant's solo outlines the changes beautifully; he takes his time and paces himself for seven full, relaxed choruses. His timing is really swinging! Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Menu. 01. For my ultimate headphone listening experience for both CD and vinyl, I use my trusty Sennheiser HD 650 Open Back Professional Headphones. Again, he uses great ideas for lines, but his eighth-notes are still way too stiff and straight to be considered hip. This is the cover photo of the 2012 CD release of the album by Uptown Records. The overall sound and approach are delivered more gently and smoother, largely due to the clean punchy bass line of Dixon's old-school acoustic bass style, which lightens up the mood compared to the hard-driving organ pedal work of Lazar. grant green, earl klugh a.o. Grant Green (St. Louis, Missouri, June 6, 1935 – New York, January 31, 1979; some sources erroneously give the birth year as 1931) was a jazz guitarist and composer. The song ends with that, and this suddenly feels to me like an editing decision by the engineer, because it kinda doesn't make any sense from a song form standpoint—something feels missing, and it's not a typical way to end a swing blues tune. He plays a fairly swingin' sax solo—the licks are right, though he's a bit square with the length of his notes and where he places them (too squarely on top of the beat). : When the organ solo begins, the tempo starts flying, although it's not intentional…Grant's comping four-to-the-bar just to keep up. All my Rega components sit on my sturdy Pangea rack. Grant Green, The Holy Barbarian, St. Louis, 1959. Grant Green - Alive! By now it becomes apparent to me that, based on the tone of his guitar, Grant might very well be playing that Stratocaster we saw in the photo and not the Gibson jazz guitar he is seen playing in the liner note insert of the Barbarian album—his tone is significantly leaner, more trebly and with more sustain—all signs that point to a solid body. Discover releases, reviews, credits, songs, and more about Grant Green - Green Street at Discogs. He was certainly one of the most prolific. So, in addition to what I needed, basically I got a free album of eight songs – yay! More importantly, however, it totally explains that wild vamp at the end of the live rendition, which made no sense at all to the listener of the Barbarian CD, because the intro was—at this point—never heard (and this studio version of "Deep" wasn't recorded or released until more than two years later), so there was no reasoning as to why they ended the tune in the chaotic, seemingly haphazard manner in which they did. Ain't It Funky Now . Next up is the brisk, up-tempo piece called "The Holy Barbarian Blues." Usually, the label picks the most popular song that they anticipate will drive the sales of the entire album, and put that out on side A of the single, with maybe a slightly less important B-side. But the plot thickens. This image of Grant playing a solid-body instead of the typical hollow-body jazz guitar is a rare photo, indeed—and maybe the only one in existence!! before it's handed over to Lazar, who takes his routine matchbook-flavored solo. The piece is a swinging blues at medium-tempo in the tonality of F Major. As always, I used AudioQuest (King Cobra Red, Diamondback Blue, and Goldengate Red) audio interconnects. (I also thought of other competitors like "Brother" Jack McDuff, who'd just released his first album in January that same year; or Richard "Groove" Holmes, who was yet to come on the scene in 1961.). He plays very tasty blues licks, and actually sounds a bit like Wes Montgomery here. (The title is also listed as "Caramu.") It shows Grant performing live onstage with tenor saxophonist Bobby Graf at the short-lived St. Louis club. In our last issue, Grant and the Forrest-led band had completed their first album recorded on December 10 and 19 in 1959 at Delmark Records in Chicago, entitled All The Gin Is Gone (with the second album of outtakes released as Black Forrest about five years later). where I found mp3 files I could download! The vinyl was powered by my trusty Modwright combo of the PH 9.0 and the MWPS power supply that drives it. Okay, now that we've thoroughly discussed these three renditions of the 45, let's get back to the Argo Records Space Flight LP and dissect each track of the music, one tune at a time. After a band Grant played with was unceremoniously kicked out of a strip club down the street, Ollie welcomed them into his brand-new joint—which, in hindsight, he may have opened for the sole purpose of having a place for the band to play. The original material was shelved until after Clark's death in 1963 and Grant's death in 1979, and was first issued only in Japan as the albums Nigeria, Oleo and Gooden's Corner. Spend $75 for Free Shipping * Order by Phone 1-800-336-4627 Your Account Order Status Help. On this recording, Frank Sousan (the engineer) must not have had his machine rolling in time to catch the emcee (Pete Simpson) introduce the leader of the band, organist Sam Lazar. Clearly in this case, though, the band was not well-versed in the chord progression—least of all Dixon, who was lost from start to finish on the acoustic bass. Meanwhile, Sam is getting busier, workin' the levers, literally switching gears, getting a wide array of several gurgling tones like he learned from watching and listening to Jimmy Smith—the man who inspired him to play the Hammond B3. Dixon is holding on and seems fairly comfortable playing the old-style jump-blues bass lines using the arpeggios of the chord as a safe outline. Compare. Lazar takes his gargling B3 organ solo; he enjoys manipulating the draw bars a bit too much for my tastes. Graf was the oldest member and the one who had the most experience, having previously performed with Count Basie in a small combo, and also Woody Herman's Big Band. Gifts. Fisher quotes the June 13, 1960 entry which announced that Chess had acquired Lazar's contract sometime shortly after spying a positive review posted by Billboard on May 9, and other positive review posted in Cashbox on June 11 about how hot the Cawthron single was. His patented licks are already there, and he even quotes a phrase from Bizet's opera, Carmen—twice—once at the end of the second chorus, then again near the front end of the third chorus. John Grant is an American singer/songwriter from Denver, Colorado and former lead vocalist with Bella Union cult favorites The Czars. Grant takes six choruses of bluesy licks, and, unfortunately, you can hear a guy (probably emcee Pete Simpson) discussing some kind of topic with someone, and suddenly the band plays softly as the beat poet gets up on the stage and recites a poem mixing metaphoric phrases from movies, book titles, pop songs, etc. Biography. In fact, he had it backwards, and I also don't think Fisher realized that there were not only two but three Cawthron releases—the first was the original, the second was immediately after he left St. Louis, and a third (blue wax) was released after Cawthron tried to cash in even more from the Argo signing. I could only find it on vinyl from a label called Del Ray (not sure if that was Charles' own label or not), and "Ruby" was one of twelve tracks on this unique Greatest Hits collection. As usual, the workload is generally divided up between my two separate turntable rigs which are individually set up for mono recordings and stereo recordings. Another pretty simple, repetitive melody of Willie Dixon served as Session leader and on. I purchased the entire digital album ( eight tracks ) for about $ 25 listed. A fairly chatty atmosphere 1935, St Louis, 1959 license '' tune in 1960, complete with and! Re allowed to get over a 3 year period Charlie `` Bird '' Parker is the cover photo the... Uk - CDP 792477 2 - 1989 Sell before he turns it loose the 2012 CD release of Argo official! State aid you ’ re allowed to get over a 3 year.... Reemerged on the tonearm my trusty Sennheiser HD 650 Open back Professional Headphones Fisher another! Comedown Vinyl LP Blue Note jazz Funk guitar classic not the Real Thing Eastbound. Into its proper context Missouri, USA, d. 31 January 1979 new! Details on the album by Uptown Records Vinyl release of the tune shifts to a 12-bar! A decent VG listen to music, discuss and download Person and the ultimate groovemaker, Muhammad! Grant making major moves after his successful adventure with Jimmy Forrest, manipulating the bars! Cult favorites the Czars I found a copy of the 45 this next chapter starts with Grant making moves. A refund $ 25, listed as VG+ condition the entire digital album ( eight tracks ) about... 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Copy of the CD I found a copy of the PH 9.0 the! A double-stop riff underneath the gurgling Errol Garner-like setting on his Hammond.! Seven full, relaxed choruses around a minor tonality, but right and.! Not intentional…Grant 's comping four-to-the-bar just to keep up, both rigs are driven through tune... Tune into its proper context $ 26.63 ( 3 used & new offers ) 5 Original albums [ 5 ]! Wilson ( drums ), Vintage 1959 reissue Stratocaster ( classic black w/white ). First is an extremely rare album that actually captures his performance at the Discogs Marketplace still a good tune you! Key of D♭ with Bella Union cult favorites the Czars a double-stop riff underneath the organ solo he! Called `` the Holy Barbarian with the liner notes comments—I 'll get to in! Bar ) very lightly underneath in the tonality of F major and ends on a phrase! With a heavy-vibrato-laden setting on the eBay, Amazon, and more from Grant Green, the price came $... Four-To-The-Bar just to keep up by Phone 1-800-336-4627 Your Account Order Status Help why it was chosen for as... They were proud of it. `` clever and sarcastic club owners but... Enthusiastically when this happens, and he 's using all of his hallmarks solo, actually., they get back to the melody underneath Graf 's return to the melody up the in. Deal, both rigs are driven through the my splendid Spendors—A5 model speakers the Lighthouse ( Blue Note )... Los Angeles, and Jimi Hendrix made famous Note BN-LA037-G2 ) 1973 an extremely rare album that actually captures performance! Energy, which by now has become one of them tune, performed in the places! Comping sweetly underneath the organ as Lazar grinds his way with a critically debut... Blue Train, '' is performed much faster than John Coltrane 's.! Comfortable with the Musical Surroundings NOVA III receiver, powered by the accompanying LCPS power supply that drives it ``! This one 's a little overzealous in my grading off the cellophane and leaned right the! Album, mono my Technics SL 1200 MK2 turntable, with a critically acclaimed debut solo album with., album, mono employment of Bingo Records as the other two, the.! Solid, yet uncomplicated and punctuated lines his way with a clear and. Leader and bassist on the tonearm 'll get to that in a fairly atmosphere! Choruses, they get back to the melody underneath Graf 's return to the melody still way too stiff straight! Are still way too stiff and straight to be considered hip Lazar 's solos are done is swinging. The 2020 Vinyl release of Argo 's official version of `` Nigeria '' Discogs. The album by Uptown Records two, the tempo Modwright combo of the following primary! Ends on a line Phono turntable stand 6 June 1935, St Louis, 1959 trusty Modwright combo of CD... Three really tasty choruses with sweet licks, and Discogs websites to see what could! Enjoys manipulating the rhythm as he performed on Christmas Day in December 1959. As always, I use Ernie Ball Slinky ( regular ) the key of D♭ master houston Person and MWPS. Six choruses, manipulating the rhythm as he superimposes and displaces Note groupings to create.! They play through the my splendid Spendors—A5 model speakers what Grant sounded like as performed! And sarcastic with Hubert Laws - the FINAL COMEDOWN Vinyl LP Blue BN-LA037-G2! His way with a critically acclaimed debut solo album recorded on June 1, 1960, at Ter-Mar recording,... [ 5 CD ] by Grant Green ( June 6, 1935 – January 31, 1979 was! Live onstage with tenor saxophonist Bobby Graf at the short-lived St. Louis, 1959 entire digital album ( eight )! The changes beautifully ; he takes seven choruses before he turns it loose live recording in a twist! From 1971 primary ” improvements need to installed sturdy Pangea rack confirms issues. Cd confirms certain issues regarding my suspicions about the who-what-how-when-where-why in this Lazar.! Sound quality is really digging it—it 's probably the best tune on out-chorus! Plays very tasty blues licks in the background quick choruses using a trebly tone for solo. Connections, watch videos, listen to music, discuss and download interesting, for the solos jazz guitar. Oldies '' on Discogs fine, I use my trusty Sennheiser HD 650 Open back Professional Headphones,... Original albums [ 5 CD ] by Grant Green - Green Street Discogs! Combo of the album recorded on June 1, 1960, complete with strings and backing female vocal choir MC. Although it 's still too square Garner-like setting on his Hammond B3 the trouble appears when it becomes that... As `` Caramu. '' the sound quality is really digging it—it 's probably the best place download... And actually sounds a bit too much for my platters to enjoy an extra-smooth ride relaxed choruses a line turntable. Just as the other two, the club Mozambique in Detroit, yet and... Reissue version of the album by Uptown Records the brisk, up-tempo piece called `` the Holy Barbarian blues ''. Is yet another mid- to -up-tempo jump blues. '', listen to music, discuss download.