In my opinion, the following depictions of Judith are hilariously unfortunate misrepresentations of her story, depicting her as weak, passive, barely capable of doing the deed, and barely dressed. Learn vocabulary, terms, and more with flashcards, games, and other study tools. 1. Artemesia Gentileschi was an Italian Baroque painter and is considered today to be one of the most accomplished artists of that time. Judith and Her Maidservant, 1612-13 Palazzo Pitti, Florence: Salomon de Bray Judith Delivering the Head of Holofernes, 1636 . At the same time, Judith does have some money left over from her husband, allowing her to have a maidservant and fine clothes. Judith beheading Holofernes by Artemisia Gentileschi, 1620 (Photo Credit: Wikiart) Judith and her maidservant by Artemisia Gentileschi, 1613 (Photo Credit: Wikiart) Lavinia Fontana decided to depict the moment immediately after the beheading. But they seem to have heard something, and pause, waiting to see if they have been discovered. Oil on canvas. ‘Judith and her Maidservant With the Head of Holofernes’ Artemisia Gentileschi, circa 1625. In Judith and Her Maidservant, she captures the moment after the murder, when the heroine and her maid place the decapitated head of Holofernes in a bag.. Caravaggio - Judith Beheading Holofernes, c. 1598–1599. Judith and her Maidservant with the Head of Holofernes. Judith Slaying Holofernes Judith and Her Maidservant with the Head of Holofernes Guercino, St. Luke Displaying a Painting of the Virgin Il Gesù, Rome Andrea Pozzo Glorification of Saint Ignatius St. Ignatius Chapel, Il Gesù, Rome Pierre Le Gros the Younger, Stanislas Kostka on His Deathbed Spain and Portugal Browse this content Between 1623 and 1625, Gentileschi again revisited the story of Judith. Judith and her Maidservant, by Artemisia Gentileschi. Judith and her Maidservant portrays a different temporal and spatial frame altogether when compared to the previous painting, while evoking similar emotions of looming danger associated with the difficulty of the executing the task. Oh, come on, really? Judith and her Maidservant, Artemisia Gentileschi. Judith and her Maidservant with the Head of Holofernes. 1625. Here also, Judith's maidservant Abra appears lighter and more innocent than the darker Judith. This is a theme often used as a symbol of virtue. We can see how Judith is putting the head of Holofernes in a basket. Start studying Judith and Her Maidservant with the Head of Holofernes . When they thought a woman couldn't do serious subjects, she did. Just like Caravaggio shows the empowerment of Judith and her maidservant when compared to Artemisia. And probably that's why, instead of doing pretty women or flowers or scenery, she tackled gruesome themes. The interpretation of Judith may be the correct one, and is confirmed by the 1533 record of a painting by Titian, titled Judith, in the collection of Alfonso I d’Este. Judith has killed Holofernes, and now her maid Abra crams the bloody head into a sack, to carry it back to Bethuliah. The difference between the two paintings is the interpretation of Artemisia Gentileschi's Judith is more convincing then Caravaggio. Artemisia’s painting shows the strength, challenge, and violence Judith and her maidservant demonstrate. I don't know. Identification & Artist Bio: Artemesia Gentileschi. She now holds the head of Holofernes with her Maidservant at her side. For instance, Judith and her Maidservant (1613–14) depicts Judith holding a dagger and her maid holding a basket with a severed head inside, while others depict a maid covering the head of Holofernes, while Judith herself looks out the frame of the picture. Artemisia was a feminist. 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