Some of the footage, notably aerial shots of the Arab massacre in Zanzibar, is doubtless truthful. Browse. The cruel acts of animal poaching and violence, executions, and tribal slaughtering, all taking place on the African continent. Africa Addio (also known as Africa: Blood and Guts in the United States and Farewell Africa in the United Kingdom) is a 1966 Italian mondo documentary film co-directed, co-edited and co-written by Gualtiero Jacopetti and Franco Prosperi with music by Riz Ortolani. Africa Blood and Guts. A series of videos containing footage of real life events that were too disturbing for television. The Italian and French versions were edited and were provided with narration by Jacopetti himself. Gualtiero Jacopetti Franco Prosperi (1966) The changing face of Africa exposes the effects of self-rule upon various cultures. more. Need some help finding the best things to watch on Netflix? Africa: Blood and Guts (1966) directed by Gualtiero Jacopetti, Franco Prosperi • Reviews, film + cast • Letterboxd Written by Let our editors help you find what's trending and what's worth your time. Subscribe. The new, carved up Africa will rise again upon the tombs of a few white men, millions of black men, and upon the immense graveyards that were once its game reserves. Captured on film are mercenary killer squads wiping out entire villages, executions, Mau-Mau massacres and more! Play. (1966). Various cuts of the film have appeared over the years. The advertising spells it out for us: "Raw, wild, brutal, modern-day savages! Africa: Blood and Guts. Start Shopping. If "Africa Addio" is to be believed, Africans have engaged in an orgy of bloodletting and pillage since the Europeans left. Watch for FREE. The purpose of this film is only to bid farewell to the old Africa that is dying and entrust to history the documentation of its agony"[14]. To that age-old Africa, swept away and destroyed by the tremendous speed of progress, we have said farewell. With Sergio Rossi, Gualtiero Jacopetti, Jomo Kenyatta, Julius Nyerere. Resume. The American version, with the explicitly shocking title Africa: Blood and Guts, was re-released in 1970 by Jerry Gross' company Cinemation Industries and had 40 minutes cut out, mainly traces of political context, and was edited and translated without the approval of Jacopetti. Today, fifty years later, we are only made aware post festum that something like that was happening and happened, but it is like some distant point in the past. The film is about the end of the colonial era in Africa. Africa: Blood and Guts The official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals. From the producers of 'Mondo Cane' comes this violent document of a continent in transition; the change from white colonialism to independent black statehood. Two documentary filmmakers go back in time to the pre-Civil War American South, to film the slave trade. A collection of short documentaries pondering about the meaning of life and death by the use of shocking images. The film's footage was seized by police, and the editing process was halted during the legal proceedings. The film was shot over a period of three years by Jacopetti and Prosperi, who had gained fame (along with co-director Paolo Cavara) as the directors of Mondo Canein 1962. The Italian creators of the worldwide ’60s smash Mondo Cane, initiators of the popular “shockumentary” genre, set their sights on the troubled Dark Continent with predictably lurid results. Full Review | Original Score: 0/4. Documentary. Directed by Gualtiero Jacopetti, Franco Prosperi. WARNING: contains images of human and animal violence which many may find offensive. In the 2003 documentary The Godfathers of Mondo, Prosperi argues that the criticism was due to the fact that, "The public was not ready for this kind of truth," and Jacopetti explicitly states that the film “was not a justification of colonialism, but a condemnation for leaving the continent in a miserable condition.”[9] The subsequent film collaboration between the two men, Addio Zio Tom, explored the horrors of American racial slavery and was intended (in part) to combat the charges of racism leveled against them following the release of Africa Addio[22] (though it too was criticized for perceived racism, particularly by Ebert). Captured on film are mercenary killer squads wiping out entire villages, executions, Mau-Mau massacres and more! Get a sneak peek of the new version of this page. A "shockumentary" consisting of a collection of mostly real archive footage displaying mankind at its most depraved and perverse, displaying bizarre rites, cruel behavior and bestial violence. The composer was Riz Ortolani (who had scored Mondo Cane that featured the tune later used for the hit single More). A shockcumentary about the end of the colonial era in Africa, portraying acts of animal poaching, violence, executions, and tribal slaughter. It is about a group of Satanists, living in a quaint, coastal fishing ... See full summary ». Want to share IMDb's rating on your own site? Sign In. In West Berlin, the distributor resigned from showing the film after a series of demonstrations and damage to cinemas. Africa Blood and Guts: Frank Latimore, Gualtiero Jacopetti, Franco Prosperi, Franco E. Prosperi: Amazon.com.br: DVD e Blu-ray Original Title: Africa addio. If you think Iraq war in the nineties was the first 'live' feed of (war) terror from the other side of the world, think again. The film has appeared in a number of different versions. He drew attention to the opening narration: "Europe has abandoned her baby," the narrator mourns, "just when it needs her the most." Some items from this float, along with other memorabilia including a copy of the book by John Cohen, are kept in Museum of Dizionario del Turismo Cinematografico in Verolengo. Watch later. Watch trailers, read customer and critic reviews, and buy Africa Blood & Guts (Aka Africa Addio) directed by Gualtiero Jacopetti for $7.99. Some years later, U.S. distributors would remove over 45 minutes of political content and re-release it, a move that Prosperi and Jacopetti both disowned and despised. It follows their career until their split in following the making of GOODBYE UNCLE TOM in 1971. 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